The Cadillac Café is a cozy, pub-like bistro right inside the Detroit Opera House or you can satisfy your palate at any of the Theater District's fabulous restaurants.
Much like the Fisher Theatre has its Spotlight Room, The Detroit Opera House has the Cadillac Cafe. Tours are $10.00 per person.įor more information, please call (313) 237-3279. Meet the people behind the scenes, tour the stage and see how it operates. Learn about the history of the Opera House and its restoration. Join the Opera House Ambassadors for a backstage tour of the Detroit Opera House.
Today, the Detroit Opera House is home to Michigan Opera Theatre, and the Detroit home to many of the world’s best dance companies, Broadway shows and concerts. David DiChiera, the Detroit Opera House was marvelously restored. With the oversight of Michigan Opera Theatre general director Dr.
#Detroit opera house series#
From 1981 to 1985 the theater ran intermittently, presenting a diversity of entertainment from mainstream artists Ray Charles and Roy Orbison to an alternative rock series entitled "Grand Circus Live." The 1922 palace closed its doors for the last time in November of 1985 after a small fire.Īfter years of neglect, the Detroit Opera House was beautifully restored in 1996, when the nomadic Michigan Opera Theatre decided to transform the former Capitol Theater into a permanent home. The Grand Circus Theater closed its doors in 1978 and reopened under the same name in 1981.
#Detroit opera house movie#
The renamed and reconfigured 3,367-seat Grand Circus Theater became a movie house once again. Today, the Detroit Opera House is home to Michigan Opera Theatre, and the Detroit home to many of the world’s best dance companies, Broadway shows and concerts.Īfter several years of near decay, the theater underwent a minor restoration in 1960. Within the first few decades, the grand theater hosted such luminaries as Will Rogers, Louis Armstrong, Betty Hutton, Guy Lombardo and Duke Ellington and later, Gale Storm, Sal Mineo and many of the rock and roll stars of the 1950s. In the fall of 1929, the Capitol Theater became the Paramount Theater and, in 1934, was renamed the Broadway Capitol Theater. Most of these features are still present today in the Detroit Opera House. Rich rose-red Italian damask was used for the mainstage curtain and draperies throughout the house. The Capitol Theater was resplendently decorated in the Italian Renaissance style with lavish crystal chandeliers, frescoes, brass fixtures, marble stairways and drinking fountains. Crane also designed such Detroit landmarks as the Fox Theater, The Fillmore (formerly the State Theater), and the acoustically perfect Orchestra Hall. With superb acoustics and in the style of the grand European opera houses. Howard Crane, whose genius for theater design took him to cities around the nation, the building was constructed The theater was the first in a series of palatial vaudeville and moving picture houses built in the Grand Circus Park area in the 1920s. Designed by renowned Detroit architect C. The theater was the first in a series of palatial vaudeville and moving picture houses built in the Grand Circus Park area in the 1920s. At the time of its gala premiere, the 4,250-seat theater claimed to be the fifth largest in the world.
31 or on the corners of Broadway and Madison at Grand Circus Park, what is now known as the Detroit Opera House was originally opened as the Capitol Theater on January 12, 1922. 23 at the Detroit Opera House, 1526 Broadway St. Garland adds that Wonder’s songs “were instrumental in my seven- and eight-year-old imagination…His spirit runs in courses through the entire work.” In addition to the title track, “Higher Ground” includes dances set to “Living For the City,” “You Haven’t Done Nothin’” and “Saturn.”ĭTH will also present the ballet “Passages” along with “Higher Ground” during performances at 7:30 p.m. It does start in a moment and move towards higher ground…The Black Lives Matter movement is all we need to see there’s much work to be done.” “Higher Ground,” set to socially conscious selections from the catalog of Motown great Stevie Wonder, “is less resistant art, more aspirational I would say,” according to Garland. “I honestly feel this is kind of…wrapping up all the lessons that have been learned,” Garland, DTH’s resident choreographer, said during a visit last month to Detroit. But creator Robert Garland feels that his piece - having its world premiere this weekend at the Detroit Opera House - has been enhanced by the events of the past 22 months. The Dance Theatre of Harlem began working on its new ballet, “Higher Ground,” prior to the pandemic.
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